-40%

BIG BAND LEGENDS / THE GOLDEN AGE OF SWING

Référence R337

6,00 € 10,00 € -40%

TTC

Temps restant

2 CD - 44 TITRES : BIG BAND LEGENDS / L'ÂGE D'OR DES GRANDS ORCHESTRES DE JAZZ / JAZZ ARCHIVES COLLECTION

VOUS RECEVREZ UN BON D'ACHAT 10% À PARTIR DE 40 € DE COMMANDE

Description

CD 1

1 BYE & BYE 2’31

Trad

2 WOLVERINE BLUES 3’18’’

Morton - Spikes

3 STAMPEDE IN G MINOR 2’43’’

Bewer

4 WIGGLE WOOGIE 2’27’’

Warren

5 COME ON WITH THE COME ON 2’52’’

Calloway - Gibson

6 SPECIAL DELIVERY 2’56’’

Calloway - Gibson

7 CUDDLE UP HUDDLE UP 2’44’’

Carter

8 SUNDAY 2’44’’

Miller - Cohn – Stein - Krueger

9 COTTON TAIL 3’09’’

Ellington

10 JUST A SETTIN’ AND ROCKIN’ 3’34’’

Ellington - Strayhorn

11 MAIN STEM 2’48’’

Ellington

12 FLYIN’ HOME 3’11’’

Hampton – Goodman - Robin

13 TEMPO’S BOOGIE 3’07’’

Hampton

14 SMOOTH SAILING 2’54’’

Thompson

15 GRAND TERRACE SHUFFLE 2’37’’

Hines

16 WINDY CITY JIVE 2’50’’

Harding

17 ONE OF THEM GOOD ONES 3’11’’

Johnson

18 SKEE 2’56’’

Ross - Leonard

19 SWINGMATISM 2’39’’

Scott - McShann

20 THE JUMPIN’ BLUES 2’59’’

McShann

21 MASON FLYER 2’17’’

Millinder - Smith

22 SHIPYARD SOCIAL FUNCTION 2’51’’

Millinder - Smith

23 BLUE GARDEN BLUES 3’13’’

Haggart

24 SALT LAKE CITY BOUNCE 2’52’’J

Johnson

Les Orchestres

1-2 : Louis Armstong & His Orchestra (1939-1940)

3-4 : Count Basie & His Orchestra (1940-1941)

5-6 : Cab Calloway & His Orchestra (1940–1941)

7-8 : Benny Carter & His Orchestra (1941)

9-11 : Duke Ellington & His Orchestra (1940–1942)

12-13 : Lionel Hampton & His Orchestra 1942-1944)

14 : Horace Henderson & His Orchestra (1940)

15-16 : Earl Hines & His Orchestra (1939-1941)

17 Buddy Johnson & His Orchestra (1944)

18 Harlan Leonard & His Orchestra (1940)

19-20 : Jay McShann & His Orchestra (1941-1942)

21-22 : Lucky Millinder & His Orchestra (1942-1943)

23-24 : Cootie Williams & His Orchestra (1944-1945)

CD 2

1 DOCTOR BLUES 3’12’’

L. Russel

2 NEW KING PORTER STOMP 3’06’’

F. Morton

3 I’M RHYTHM CRAZY NOW 3’14’’

H. Henderson - Johnson

4 THAT NAUGHTY WALTS 2’54’’

Levy - Stanley

5 MISS THING 5’39’’

C. Basie - Martin

6 G.T. STOMP 2’38’’

Hirsch - Marks

6 BIG JIM BLUES 2’53’’

M.L. Williams – H. Lawson

8 HAIRY JOE JUMP 3’12’’

J. Ross – Gulliver – H. Leonard

9 JACK THE BEAR (TAKE IT AWAY) 3’16’’

D. Ellington

10 HARLEM STOMP 3’00’’

J.C. Higginbotham

11 MONOTONY IN FOUR FLATS 2’53’’

B. Moore

12 BOH-WAH BOH-WAH 2’45’’

B. Harding - Clinton

13 ROCKY COMFORT 3’10’’

C. Hawkins

14 TAKIN’ MY TIME 3’25’’

B. Carter

15 CHANT OF THE GROOVE 3’03’’

Hicks

16 HOW ABOUT THAT MESS ? 3’14’’

Anderson

17 SAY FORWARD, I’LL MARCH 3’10’’

G. Ramey – J. McShann

18 CHERRY RED BLUES 3’00’’

J. Turner – P. Johnson

19 FLYIN’ HOME N° 2 3’08’’

L. Hampton – B. Goodman

20 DRIFTIN’ ALONG 3’21’’

S. Lowe

Les Orchestres

1 Luis Russel & His Orchestra (1929)

2 Fletcher Henderson & His Orchestra (1932)

3 Horace Henderson & His Orchestra ( 1933)

4 Chick Webb & His Orchestra (1937)

5 Count Basie & His Orchestra (1939)

6 Earl Hines & His Twelve Clouds of Joy (1939)

7 Andy Kirk & His Orchestra (1939)

8 Harlan Leonard & His Orchestra (1940)

9 Duke Ellington & His Orchestra (1940)

10 Louis Armstrong & His Orchestra (1940)

11 Jimmy Lunceford & His Orchestra (1940)

12 Cab Calloway & His Orchestra (1940)

13 Coleman Hawkins & His Orchestra (1940)

14 Benny Carter & His Orchestra (1940)

15 Fats Waller & His Orchestra (1941)

16 Lucky Millinder & His Orchestra (1941)

17 Jay McShann & His Orchestra (1943)

18 Cootie Williams & His Orchestra (1944)

19 Lionel Hampton & His Orchestra (1944)

20 Erskine Hawkins & His Orchestra (1945)

Les Grands Orchestres

Dès les débuts du jazz, parallèlement au développement de la musique de la Nouvelle-Orléans basée sur l’improvisation collective des trois instruments mélodiques –trompette-trombone-clarinette, on vit rapidement apparaître dans les dancings et cabarets, des formations plus importantes comprenant 2 ou 3 trompettes, 1 ou 2 trombones, 2 ou 3 saxos et section rythmique classique piano-guitare-basse-batterie. Bien sûr avec un nombre aussi élevé de musiciens, il n’était plus question de pratiquer l’improvisation collective, il fallu recourir à l ‘écriture musicale et au talent des arrangeurs. Très vite le nombre de musiciens augmenta, , mais la place de l’improvisation resta importante car dans les partitions écrites, les compositeurs & arrangeurs laissèrent de larges créneaux pour que les solistes puissent s’exprimer…