Clarence WILLIAMS / COMPLETE SESSIONS

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2 CD - 48 TITRES / CLARENCE WILLIAMS INTÉGRALE 1923 - 1925 / WITH LOUIS ARMSTRONG, SYDNEY BECHET, THOMAS MORRIS, BUBBER MILEY, THE BLUES SINGERS...

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À propos de Clarence WILLIAMS

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Clarence Williams Intégrale 1923 - 1925

Louis ARMSTRONG, Sydney BECHET, Thomas MORRIS, Bubber MILEY, THE BLUES SINGERS....

CD 1

1 WILD CAT BLUES

2 KANSAS CITY MAN BLUES

3 BLIND MAN BLUES

4 ATLANTA BLUES

5 LADY LUCK BLUES

6 KANSAS CITY MAN BLUES

7 OH ! DADDY BLUES

8 I’VE « THE YES WE HAVE NO BAANAS BLUES »

9 ACHIN HEARTED BLUES

10 IRRESISTIBLE BLUES

11 JAZZIN’ BABY BLUES

12 « AIN’T » NOBODY’S BUSINESS IF I DO

13 NEW ORLEANS HOP SCOP BLUES

14 OH ! DADDY BLUES

15 DOWN ON THE LEVEE BLUES

16 LONESOME WOMAN BLUES

17 GRAVEYEARD DREAM BLUES

18 A GREEN CAN’T CATCH ON

19 IF I LET YOU GET AWAY WITH IT

20 E-FLAT BLUES

21 OLD FASHIONED LOVE

22 OPEN YOUR HEART

23 SHREVEPORT BLUES

24 OLD FASHIONED LOVE

CD 2

1 HOUSE RENT BLUES

2 MEAN BLUES

3 JAILHOUSE BLUES

4 FOOLIN’ ME

5 GHOST OF THE BLUES

6 TEXAS MOANER BLUES

7 EARLY IN THE MORNING

8 YOU’VE GOT THE RIGHT KEY BUT THE WRONG KEYHOLE

9 OF ALL THE WRONNGS YOU DONE TO ME

10 EVERIBODY LOVES MY BABY

11 PAPA, MAMA’S ALL ALONE BLUES

12 CHANGEABLE DADDY OF MINE

13 BABY I CAN’T USE YOU NO MORE

14 TROUBLE EVERYWHERE I ROAM

15 I’M SO GLAD I’M BROWNSKIN

16 OFF AND ON BLUES

17 MANDY MAKE UP YOUR MIND

18 I’M A LITTLE BLACKBIRD LOOKING FOR A BLUEBIRD

19 WHO’LL SHOP TOUR SUEY WHEN I’M GONE ?

20 DONE MADE A FOOL OUT OF ME

21 CAKE WALKIN’ BABIES FROM HOME

22 PICKIN’ ON YOUR BABY

23 CAST AWAY

24 PAPA DE-DA-DA

Clarence Williams (October 6, 1898^[ or October 8, 1893^[ – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher.

Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville.

Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-American owned music publisher in the country. He toured briefly with W. C. Handy, set up a publishing office in Chicago, then settled in New York in the early 1920s. In 1921, he married blues singer and stage actress Eva Taylor, with whom he would frequently perform.

He was one of the primary pianists on scores of blues records recorded in New York during the 1920s. He supervised African American recordings (the 8000 race series) for the New York offices of Okeh phonograph company in the 1920s in the Gaiety Theatre office building in Times Square. He recruited many of the artists who performed on the label. He also recorded extensively, leading studio bands frequently for OKeh, Columbia and occasionally other record labels.

He mostly used "Clarence Williams' Jazz Kings" for his hot band sides and "Clarence Williams' Washboard Five" for his washboard sides. He also produced and participated in early recordings by Louis Armstrong, Sidney Bechet, Bessie Smith, Virginia Liston, Irene Scruggs, his niece Katherine Henderson, and others. Two of his 1924 recording bands, "The Red Onion Jazz Babies" and "Clarence Williams' Blue Five" featured cornetist Armstrong and soprano saxophonist Bechet, two of the most important early jazz soloists, in their only recordings together before the 1940s. Clarence Williams' Blue Five, a studio band only, formed after the success of King Oliver's recordings in order to explore the market for blues-oriented music. The rivalry between Armstrong and Bechet, who tried to outdo each other with successive solo breaks, is exemplified in "Cake Walkin' Babies from Home", the most celebrated of these performances, which survives in versions recorded by both bands.^[ Although the narrative of a rivalry during these recordings is frequently discussed in scholarship, Armstrong and Bechet do have moments of friendly collaboration, such as the shared break in "Texas Moaner Blues." King Oliver played cornet on a number of Williams's late 1920s recordings. He was the recording director for the short-lived QRS Records label in 1928.

Most of his recordings were songs from his publishing house, which explains why he recorded tunes like "Baby Won't You Please Come Home

", "Close Fit Blues" and "Papa De-Da-Da" numerous times.

Among his own compositions was "Shout, Sister, Shout" (1929), which was recorded by him, and also covered by the Boswell Sisters, in 1931.

In 1933, he signed to the Vocalion label and the recordeings mostly featuring washboard percussion, through 1935 (and a session in 1938). He also recorded for Bluebird in 1937, and again in 1941.

In 1943, Williams sold his extensive back-catalogue of tunes to Decca Records for $50,000 and retired, but then bought a bargain used-goods store, the Harlem Thrift Shop. Williams died in Queens, New York City, in 1965, and was interred in Saint Charles Cemetery in Farmingdale on Long Island. On her death in 1977, his wife, Eva Taylor, was interred next to him.

Clarence Williams was the grandfather of actor Clarence Williams III.